A to Z – Y (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

Y is for Youth 

wordswag/pixbay

Many novels favor the young characters.

My genre (romance) nearly specializes in young heroines, aged from about 18-26 years old.  Heroes of this genre, however, have the luxury of being older, some as late as their mid 40s.

Why are so many stories focused on younger characters?

Maybe some of it has to do with the road to self discovery, loss of innocence (yes, that’s sometimes literal in romance novels), and bucking our family’s or society’s ideals of how we should be.

But authors shouldn’t turn their back on older characters and should use them for more than just guiding forces for the younger characters.  After all, characters – like people – don’t stop on the road to self discovery or stop facing down obstacles simply due to the aging process.  If anything, some obstacles can cause more turmoil when we’re older than when we’re younger.

I enjoy reading stories with characters of all ages and all backgrounds – as any character, regardless of their current lot in life, can be relatable and interesting…and more, they can have a story to tell. 😉

Y

A to Z – X (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

X is for (e)xtraterrestrials

This one may be sneaky and not really an “x” word, but I’m running with it anyway. :p

Aliens have been popping up in stories for quite some time now. But how do you write them?

Do you follow the same formula that writers have been following for ages – little green men, with dark eyes, who travel here on flying saucers? Or do you try for something different?

I think a story can be enjoyable either way.  The more interesting question is – do you give them an actual character complete with character development?

Aliens, historically, were treated as one of the many monsters in the monster sub-genre of horror or sci-fi.  This has changed recently, and I think it’s a good thing.  As a reader, I enjoy the development of all characters in a story – both the protagonist and the antagonist.  Though at the same time, there are several aliens in literature/movies/tv who are not developed characters and are still interesting and/or terrifying.

What works best?  Well, I’d say it depends on the genre, the story, and the author’s preference.

Notable extraterrestrials in moves/tv/books

  • Aliens in the Alien series – mostly monsters and not super developed, but still scary (with the exception of the Engineers in Prometheus)
  • Predators in the Predator series – again, not super developed and mostly monsters, but we do glean some information on them, like their moral code (not killing unarmed people or pregnant women) and that there is some tension between the different kinds of predators.
  • Most of the cast of the Guardians of the Galaxy
  • Thor, Loki, and Asgardians
  • E.T.
  • Reticulans (Mulder’s little green and gray men in the X-files)
  • Trafalmadorians

X

A to Z – W (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

Yep, my post is late and yes this means in a short time I will also post on my x word for the month….but hey c’est la vie.

W is for Wholesome

There are a lot of characters (a large majority in the romance genre) who are wholesome, pure, and innocent…when the story starts at least. 😉

But do you want your character to remain wholesome for the entire novel?  And can a character be too wholesome?

Alas, this is a choice that many authors have to make (assuming you don’t write children’s books).

I am more of a fan of multi-faceted characters, who have both light and dark within them.  I think the internal struggles of characters, and even characters that are anti-heroes and later become heroes, make for the most interesting/engaging/enjoyable stories.  I even enjoy romance novels when the hero starts off as quite the devilish rogue (like in the Devil in Winter) or has bad intentions.  Why?  Well, I like the brooding, the evolution of a character, and the war within the self…and so do a lot of other readers. 😉

 Notable Wholesome Characters:

  • Spiderman, except for those commitment issues 😉
  • The daughter in “Taken” – side note: OMG, watch this movie again and notice how overly childlike they make this teenager..the way she walks, the way she embraces family, even the way she talks.  This is a prime example of over-wholesomeness in a character which, in my opinion, should be avoided.
  • Many romance novel heroines, especially those from the historical romance sub-genre

W

A to Z – V (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators. 

V

V is for Vengeful Characters

Distilled down to their most basic form, stories of any kind are all about the struggle.

Does your character have a perfect life, with no flaws, no money problems, no obstacles, and everything their heart desires?  Well then, chances are it’s not a very good story.  But you already know that, and you know that there has to be a conflict for it to be interesting….otherwise, what’s the point in reading it?

But what do you do when you have a character with fire in their belly and anger in their hearts?  It doesn’t matter if it’s your hero/heroine, the villain, or a side character – how do you write them so that your character isn’t caricature?

Answer: Same way porcupines mate…very carefully. 😉

People with vengeance on their mind tend to be dramatic, prone to making bad decisions, and broody over their plans/repercussions of their actions.  Play one item up too much (like evil laughter in the corner with handles steepled in maniacal glee) and your character is chewing the scenery in your carefully constructed play (unless of course you’re writing a comedy, and then by all means go for it).

I have yet to write a vengeful character well…partially because I have trouble maintaining an overly dark atmosphere in my novels for a vengeful character to thrive in and partially because, well you know, we’re all our worst critics and can’t help but tear our own work to shreds.  :p

Notable vengeful characters:

  • The punisher
  • Liam Neeson’s character in Taken
  • Ruth (Roseanne Barr’s character) in She-Devil – by the way, this is also an amusing book (The Life and Loves of a She Devil)
  • Porter from Payback

A to Z Challenge – U (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

UU is for unreliable narrators

“Believe none of what you hear, and only half of what you see”

We know that there are people who lie and chances are, you know of a person who deals primarily in lies.  But for whatever reason, when we read books our automatic assumption is to believe the narrator (or at least mine is, but hey maybe I’m naïve).

How could we not trust our narrators?  They are our eyes, ears, and entrance into a world we cannot see.

So we listen to them and depend on them for information.  But we shouldn’t always.

Sometimes it’s obvious at the start that we’re listening to an unreliable narrator – the author gives us a smirk and a wink right away by revealing in a bit of dialogue with another character that our narrator likes to embellish or perhaps the narrator him/herself will tell us straightaway that they like to fudge the facts.

There are some stories where you begin to have a sneaking suspicion that the narrator isn’t on the up-and-up.  Then there are other stories where the unreliability of the narrator is key to the plot of the story, and so the big reveal comes either at the end or a big turning point in the story.

But the art of the reveal is key in these matters.  Do you want the readers in on the reveal halfway in and allow them to see the truth for the second half?  Or do you want the reveal at the end, and have them wondering if anything they’ve been told is true?

Tricky, tricky, methinks.

My feeling is that it depends on the genre.  My favorite genres, romance and women’s fiction (if they indulge in unreliable narration, which is rare), would let the reader in on it at least halfway through the story.  But if you’re writing general fiction/literature, drama, or mystery – you’ve much more flexibility on when/how you decide to reveal your narrator’s true nature.  But be careful – if you haven’t left at least a few breadcrumbs along the way, your readers could be hurt or annoyed that you didn’t give them ample information to figure it out. 😉

Unreliable narrators/characters (and ummm…spoiler alerts):

  • Verbal, The Usual Suspects
  • Amy, Gone Girl
  • Natalie, Running in Heels
  • Narrator, Fight Club
  • Pi, Life of Pi – though honestly, I like his unreliable version way better, which was kind of the point.

A to Z Challenge – T (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

T is for Tragic

Not all characters have happy beginnings, or happy endings for that matter – these are the characters, the tragic and tortured souls, who pull at our heart-strings for years to come.

I’m the kind of author who likes to give her characters a happy ending.  But some stories and some characters, are not meant to have them.  No matter how hard you try, some events are not meant to work out.

Roman Holiday,” for example, while not a tragic story, has a tragic component – a romance that was never meant to work out.

 Audrey Hepburn is a princess visiting Rome, who plays hooky from her duties and Gregory Peck is an enterprising reporter, who first plans on publishing an article with pictures on the Princess’ shenanigans but finds himself falling under her spell.

*Spoiler alert* At the end of the movie, Audrey returns to her role as Princess and gives a press conference, which Gregory Peck attends.  After making a brief speech to the crowd, she takes questions and of course takes one from him.  He coyly slips her photographs of her visit and then the press conference ends.  Audrey leaves the room and so do all but one of the reporters.  We’re left in the room with Gregory Peck, waiting for Audrey to come back and tell us she loves him.  But she doesn’t come back.  Because she can’t and it wasn’t meant to be… and that’s exactly what it’s like to have a tragic component or a tragic character in a story.  No matter how much you’d like it to work out, even when you’re the author, you know it can’t end any other way.

Notable tragic characters/tortured soul characters:

  • Julián Carax, “The Shadow of the Wind” (if you haven’t read this novel you should – it was so beautifully written and such an interesting story…but seriously tragic character, you’ve been forewarned)
  • The Punisher
  • Quasimodo
  • It’s not a character but it still made me sad, so I’m listing it – the romance in Roman Holiday

T

A to Z Challenge – S (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

SS is for side characters

They’re not the focal point of your story, they’re not even the dreaded enemy of your hero(ine), but like it or not – side characters are still important to most stories.

Why?

Well sir, they keep the story’s momentum going and often make the story richer in detail and life.  While the tension is ratcheting up (but you’re essentially in a set up scene for something really big about to go down) , you need to reveal the truth about someone, you want to give your character advice, or in the romance genre, while your heroine is being taunted and tempted (but not yet thoroughly seduced), it’s time to bring in the side characters.  

Oh side characters, you unsung heroes and heroines of plot, we honor you. 

Notable side characters:

  • Lydia (Pride and Prejudice)
  • Aunt May and Uncle Ben (Spiderman)
  • Silent Bob (though he is also a fun author insertion)
  • Dumbledore (HP series, all those fabulous quotes and plot devices he throws in Harry’s way are mighty helpful)
  • A heroine’s friend in any non-series romance novel.

R is for Rubes – A to Z (WR)

For the A to Z challenge, I’ve been examining different types of characters from books, movies, and television.

Perhaps one of the most endearing aspects of reading about a character is seeing a little bit of yourself or someone you care about within them.  It’s not a Mary Sue for the reader, but in many ways the most beloved characters of all time share similarities with the author’s readership and it allows the reader to form a magical bond to the character (that’s a big part of becoming beloved after all).

Sometimes readers share negative attributes with characters, often you see this in cautionary tales, meant to scare readers into whatever behavior the author deems appropriate.

And sometimes, even we authors see parallels between our own lives and characters that we love (whether we’ve created them or not).  Just like readers, sometimes these parallels are positive and sometimes they are not.

Rubes are naïve characters (sometimes foolish), who are often taken advantage of by all sorts in books – villains, twists of fate/plot, and even sometimes our own dear hero(ine).

We are all meant to take a turn as the fool in our own life stories and it was a year ago today that I realized that I had been cast in this particular role, probably for quite some time.

But I want to tell you something – something that all of we former rubes have learned:  you won’t be a rube forever – and if you let it, your time as the fool will make you wiser and will help you find the strength you never knew you had.

  

A to Z Challenge – Q (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

QQ is for Quirky

Quirky characters aren’t boring, limp lumps of uninteresting – they’re different, silly, cool, and fun.  And when your character is quirky, hilarity is sure to ensue.

Many romance and mystery heroines are quirky, which leads to silliness, hilarious/awkward encounters with the hero and other random people, strange discoveries, and most likely, discovery of clues/bodies/plot devices due to clumsiness and all around bad luck.

Notable quirky heroines

  • Bridget Jones
  • Becky (Shopaholic)
  • Stephanie Plum
  • and many, many romance novel heroines

A to Z Challenge – P (WR)

It’s April again and that means it’s time for the A to Z challenge and this year, my theme for the A to Z Challenge is characters and narrators.

Psyche Revived by Cupid’s Kiss

P is for Paramour  

Merriam Webster defines a paramour as “a person with whom someone is having a romantic or sexual relationship and especially a secret or improper relationship.”

Oh my, that seems like it’s right up the romance genre’s alley..

And it is 😉

In romance novels, the young heroine is often seduced thoroughly (honestly, who wants a half-assed seduction?) by a dashing paramour…and they live happily ever after.

But outside of the romance genre, and even in some stories within the genre, the paramour isn’t necessarily a hero(ine).  As with any character, the paramour is flexible.  He or she may only be a plot device (telling our hero/heroine of the true nature of their spouse/partner), an informant on the antagonist’s movements, the key in unraveling the antagonist, a rival/antagonist, or someone’s alibi in a murder mystery.

When writing them, I think the most important thing to highlight other than their obvious <ahem> skills, would be their facial expressions.  A knowing smile spread slowly across the paramour’s lips or a plump pout of lips….these may sometimes be overdone, but my oh my are they ever so much fun in any proper paramour.

Happy Saturday. 🙂